DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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DYCK, Sir Anthony Van Golgotha gjk oil painting


Golgotha gjk
1630 Oil on canvas Sint-Michielskerk, Ghent
Painting ID::  6540 		DYCK, Sir Anthony Van
Golgotha gjk
1630 Oil on canvas Sint-Michielskerk, Ghent
   
   
     
DYCK, Sir Anthony Van Blessed Joseph Hermann g oil painting


Blessed Joseph Hermann g
1629 Oil on canvas, 160 x 128 cm Kunsthistorisches Museum, Vienna
Painting ID::  6541 		DYCK, Sir Anthony Van
Blessed Joseph Hermann g
1629 Oil on canvas, 160 x 128 cm Kunsthistorisches Museum, Vienna
   
   
     
DYCK, Sir Anthony Van Jupiter and Antiope dfg oil painting


Jupiter and Antiope dfg
Oil on canvas, 150 x 206 cm Museum voor Schone Kunsten, Ghent
Painting ID::  6542 		DYCK, Sir Anthony Van
Jupiter and Antiope dfg
Oil on canvas, 150 x 206 cm Museum voor Schone Kunsten, Ghent
   
   
     
DYCK, Sir Anthony Van The Lamentation of Christ fg oil painting


The Lamentation of Christ fg
Oil on canvas, 115 x 208 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID::  6543 		DYCK, Sir Anthony Van
The Lamentation of Christ fg
Oil on canvas, 115 x 208 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
DYCK, Sir Anthony Van St Martin Dividing his Cloak f oil painting


St Martin Dividing his Cloak f
c. 1618 Oil on panel, 171,6 x 158 cm St Martin, Zaventem
Painting ID::  6544 		DYCK, Sir Anthony Van
St Martin Dividing his Cloak f
c. 1618 Oil on panel, 171,6 x 158 cm St Martin, Zaventem
   
   
     
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     DYCK, Sir Anthony Van
     Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

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